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turkish designer

Ihap Hulusi:

İhap Hulusi Görey, born on November 28, 1898 in Cairo, was the first Turkish graphic artist best known for his illustrations on posters and labels of several Turkish brands in the Republican era.

Early life

Ihap Hulusi’s father was a well-known architect in Cairo and he wanted his son become a successful diplomat. For this Ihap Hulusi was sent to English schools in Cairo. However, his primary interest was in painting. In the meantime, he took lessons in painting by mail from Germany. After graduating from the high school, Ihap Hulusi went 1920 to Munich, Germany and studied painting for five years specializing in illustrations.

Following his return, İhap Hulusi's father enrolled him to the Ministry of Foreign Affairs in Istanbul against his will. So Ihap Hulusi dropped off after a while and devoted himself to commercial graphic art.

Career

Ihap Hulusi’s first work was the illustration for a toothpaste advertisement poster. In 1929 he established his first workshop in Istanbul and designed 1930 the famous bottle label for the Turkish liquor Raki brand "Kulüp Rakısı". This artwork on the bottle label is still in use today.

With the Latin alphabet reform in 1928, Atatürk commissioned him in 1934 to make illustrations in order to promote the adoption of the new Turkish alphabet. The graphic artwork showed Atatürk writing on a blackboard to teach Turkish alphabet to a little girl, Atatürk’s adoptive daughter Ülkü.

His first private exhibition was held in 1935 in Istanbul. Several exhibitions followed at home and abroad. Ihap Hulusi Görey got famed and performed illustrations for state and private companies until 1977. He worked uninterruptedly 45 years for the tickets of the Turkish State lottery, which come out three times a month. He designed the bottle labels of various products of the Turkish State Monopoly 35 years long. He illustrated also posters for the famous brands like the British whisky John Haig, Italian Cinzano and Fernet Branca.

Görey designed also logos for some companies, which helped them get easily recognized and well known. In his late life he was much involved in performing calligraphy.

He was called the "man who illustrated the Republic" or the "king of the graphic art". Ihap Hulusi Görey died on March 27, 1986 in Istanbul.

Here are some of his works











british designer
Alan Gerard FLETCHER:

Early life

Fletcher was born in Nairobi, Kenya, where his father was a civil servant. He returned to England aged 5 with the rest of his family, when his father was terminally ill. He lived with his grandparents in Shepherd's Bush in west London, before being evacuated in 1939 to Christ's Hospital in Horsham.

He studied at the Hammersmith School of Art from 1949, then at the Central School of Art, where he studied under Anthony Froshaug and befriended Colin Forbes, Theo Crosby, Derek Birdsall and Ken Garland. After a year teaching English in Barcelona, he returned to London to study at the Royal College of Art from 1953 to 1956, where he met Peter Blake, Joe Tilson, Len Deighton, Denis Bailey, David Gentleman and wellington Dick Smith.

He married Paola Biagi, an Italian national, in 1956, and took up a scholarship to study at the School of Architecture and Design at Yale University, under Alvin Eisenman, Norman Ives, Herbert Matter, Bradbury Thompson, Josef Albers and Paul Rand. He visited Robert Brownjohn, Ivan Chermayeff and Tom Geismar in New York, became friends with Bob Gill, and was commissioned by Leo Lionni to design a cover for Fortune magazine in 1958. After a visit to Venezuela, he returned to London in 1959, having worked briefly for Saul Bass in Los Angeles and Pirelli in Milan


He founded the design firm Fletcher/Forbes/Gill with Colin Forbes and Bob Gill in 1962. An early product was their 1963 book Graphic Design: A Visual Comparison.

Clients included Pirelli, Cunard, Penguin Books and Olivetti. Gill left the partnership in 1965 and was replaced by Theo Crosby, so the firm became Crosby/Fletcher/Forbes. Two new partners joined, and the partnership evolved into Pentagram in 1972, with Forbes, Crosby, Kenneth Grange and Mervyn Kurlansky, with clients including Lloyd's of London and Daimler Benz. Much of his work is still in use: a logo for Reuters made up of 84 dots, which he created in 1965, was retired in 1992, but his 1989 "V&A" logo for Victoria and Albert Museum, and his "IoD" logo for the Institute of Directors remain in use. In last years he designed the logo for the Italian School of Architecture "Facolta` di Architettura di Alghero".

He left Pentagram in 1992, and worked from the home in Notting Hill that he had occupied since the early 1960s, where he was assisted by his daughter Raffaella Fletcher, Leah Klein and Sarah Copplestone, and worked for new clients, such as Novartis. Much of his later work was as art director for the publisher Phaidon Press, which he joined in 1993. For him, life and work were inseparable: "Design is not a thing you do. It's a way of life." (quoted in his obituary in The Times). He would continue working, even on holiday, drawing on a notepad with a pencil.

A book of his designs, Beware Wet Paint, was published by Jeremy Myerson in 1994. Fletcher also wrote several books about graphic design and visual thinking, most notably The Art of Looking Sideways (2001), which had taken him 18 years to finish. An exhibition of his life's work opened at the Design Museum in London on 11 November 2006 till 18 February 2007, alongside the posthumous publication of a new book, Picturing and Poeting.

He won the Prince Philip Prize for Designer of the Year, was President of the Designers and Art Directors Association in 1973 and International President of the Alliance Graphique Internationale from 1982 to 1985. He was elected to the Hall of Fame of the New York Art Directors Club in 1994, was a senior fellow of the Royal College of Art in 1989 and became an honorary fellow of the London Institute in 2000.

The December 2006 limited-edition cover of Wallpaper* magazine featured one of his last works omitting his calligraphic signature in the compliments slip accompanying his completed work for he was too frail by then.

He died of cancer in London, and is survived by his wife and daughter.

Here are some of his works